By Senior Energy Arts Instructor Paul Cavel

Although internal arts practice and the process of embodying
ever-deeper layers of neigong is a lifetime pursuit for the most dedicated
practitioners, at each increment of advancement, the associated health benefits
increase significantly. Many students will sacrifice content for form, but it
is the internals that supercharge qigong, tai chi and bagua forms—that which makes
all the power-generating and health benefits possible.

Neigong training starts with physical movements that stretch the body’s soft tissues (muscles, fascia, tendons and ligaments) through various systematic and progressive techniques. Stage two is all
about learning how to manipulate the body’s fluids which, with sustained
practice, can eventually allow practitioners access to the energy that powers
the body. In the third stage, the mind’s intent can be applied to move chi at
will, where some would say the fun really begins.

Making the Body Conscious

Exercising the body on three distinct levels—nerves/flesh,
fluids and chi—allows you to release both generalised stress and long-term,
bound tension at each layer. The ability to manipulate all three at will and on
demand is the equivalent to turning a key to unlock the body’s mechanisms that
enable deep relaxation because:

  • Energy moves fluids (e.g., blood, lymph,
    interstitial, synovial and cerebrospinal); fluids move the body.
  • Energy moves strongest through the nerves and fluids.
  • The nerves and fluids operate the body.

Together, the three levels create a positive feedback loop and
synergy that can give a person access to ever-deeper levels of their being since
fundamental neigong techniques seek to relax and open the body, enabling you to
let go. Each stage of development can take years or even
decades to sufficiently develop. You cannot skip or only understand one layer
on a superficial basis yet advance to the next, more complex level with any
degree of success. The skill you achieve with each and every component will set
the stage for and be contained within the next. So you either multiply or
completely unravel the results you can attain at the deeper, more advanced
layer. The same is true for your students.

Practitioners on a well-balanced diet of content and form will accomplish four important

  • Learn choreography or formwork, from simple to complex.
  • Develop specific threads of essential neigong.
  • Blend neigong and formwork at ever-greater depths and in more intricate patterns.
  • Increase the potential of experiencing power-generating and health benefits—right from the start.

In the early stages of neigong practice, there are two
primary streams that are best developed separately and together to gain
conscious control over bodily functions, which are:

  • Contacting and manipulating the soft tissues;
  • Contacting and developing the pulse (open and

Qigong for Beginners: Soft Tissue Work

There are five distinct layers to consider when working with the soft tissues, where each is a
progression from and expands upon the depth offered in the previous layer.

The five levels for working with the soft tissues are:

  1. Bending and stretching from the outside in and the inside out;
  2. Lengthening along the yin and yang surfaces of the body, and
    wrapping the soft tissues of the torso;
  3. Turning or rotating the arms, legs and torso;
  4. Twisting the soft tissues;
  5. Spiraling the soft tissues.

Hierarchy for Developing Your Soft Tissues

As with the entirety of neigong, a training hierarchy
dictates the process of learning to manipulate the soft tissues for health and power
generation. Within it there are two groups of components or areas of
development for moving the soft tissues.

The two groups, with their specific sequence of learning, are:

  • Bending and Stretching (Basic);
    Lengthening/Wrapping (Intermediate)
  • Turning/Rotating (Basic);
    Twisting (Intermediate); Spiraling (Advanced)

You must start
with bending-stretching and rotating because these methods:

  • Form the foundation for the more advanced work.
  • Allow you to gain some control over your soft tissues,
    which in turn allows you to advance to the next
  • Begin the process of making your body conscious.

Achieving the above is among the first steps you must take
to literally put your mind inside your body to contact and bring alive your
body’s soft tissues. Embodiment of these essential neigong is part of your
foundation—regardless of which internal art(s) you practice. Gaining conscious
control over the soft tissues with your mind’s intent is an introductory method
that can evolve into the ability to manipulate and cultivate chi.

Simple, Repetitive Qigong Exercises

First and foremost, you must practise simple repetitive qigong
exercises rather than complex tai chi or bagua forms to have any chance of
embodying neigong.
That is, unless you are a genius in mind-body-chi,
which is very, very rare. Circle Walking is also good because it adheres to the
simple-and-repetitive-movement requirement. When I began training with Bruce, I
spent nine years—every possible waking moment—developing my practice at this
fundamental level. I spent three years practising Energy Gates Qigong daily
before attempting the Third Swing. This slow approach allows stability and
depth in each technique before adding the next, more complete piece.

Once you’ve developed any given technique to the point where
it is literally (not figuratively) in your flesh, then and only then would you apply
it to more complex forms, such as bagua and tai chi.

Bending & Stretching in Neigong

The initiation of soft tissue work starts with bending and
stretching through the five bows of the body: arms, legs and torso. A primary
emphasis in bend and stretch is learning to adhere to the golden mean and
neither bending nor stretching more than 70% of your capacity. Otherwise, blood
and chi flow will be restricted or even temporarily shut down.

For example, the ideal would be to bend the arms to 70% and
leave a 30% reserve, or stretch to 70% and leave a 30% bend in the arms. This
comfortable range of motion also keeps the body connected and relaxed, whereas
either bending or stretching too far will break the connection between the
limbs and body (spine and torso), and spike your nervous system.

Within the proper parameters (unique to each individual),
bending and stretching allows you to delve inside your body, release stuck
tissues and connect your limbs to your spine, making integrated, whole-body
motion possible. In time and with practice, you can loosen and release residual
tension inside your body along with the pain and suffering that often
accompanies it. Bending and stretching provides an exit pathway to release and
let go of that which binds and restricts the body—an absolute prerequisite for
practising deeper and more powerful twisting methods.

One point to look for in your students is the balance
between the arms and legs. Often times, the range of physical bending in the
arms is far greater than that in the legs, yet both remain connected and in
continuous motion. That is all four limbs start to bend simultaneously, changeover
to the stretch simultaneously and finish simultaneously. The timing sequence is
critical to catch the flow, so be sure to demonstrate the different ranges of
motions to give students a visual input: first show only the arms, then only
the legs, and finally both together. Repeat that sequence several times.

Circling Hands and tai chi’s beginning form (first move) are
excellent for embodying the principle of bend and stretch. They also work great
as short courses for beginners since it will help wake up their soft tissues
and prepare them for more advanced lengthening techniques, which require far
more control, only gained by a much greater degree of communication between the
mind and body.

Turning & Twisting

Turning and twisting are closely related, so much so that
they are essentially two levels of the same game. In turning, the rotation of
a limb is initiated through activation of the outer muscles. Whereas, in twisting,
the rotation is initiated through activating deeper layers of muscle. In
turning the muscles and bones move equally, whereas in twisting the muscles
move more than the bones.

Turning Techniques

Turning must be practised for a reasonable period of time
because it is gentle on the body and a great method for releasing the nerves,
which prepares the body for twisting. If you twist too early—before the nerves
are sufficiently released—you can actually trap tension in your body.

It is quite normal for experienced internal artists to begin
their practice with an emphasis on bend and stretch with some turning. As the body
warms up, becomes better connected and the nerves release, they move on to incorporating
lengthening and twisting techniques.

Twisting Techniques

Twisting engages the vascular system more fully and deeper
than bending and stretching and turning, but relies upon the bend-stretch and
turning preliminaries. So the more you prepare your body with bend-stretch and
turning, the more potential benefit you will gain when you upgrade to twisting.

Copious practice of twisting will give you excellent control
over your soft tissues, loosening everything off the bones and creating a soft,
supple, relaxed and strong body. Twisting alone can help you fine tune your
form(s), and engage and amplify the circulation of fluids while deeply
massaging your internal organs. Finally, as the soft tissues are twisted progressively
more deeply (over months and years), it is possible to release and eliminate
ever-deeper layers of blockages and toxins, perhaps lodged in the body for
years or even decades.

Developing real skill in twisting contributes to a healthy
body. So get your practice up to this intermediate level and be content to stay
there for a long time—until you are well prepared for the advanced material.
Complete and even twisting throughout the body that is deeply connected is a
preliminary for spiraling the soft tissues, which, again, gets a lot trickier.

Spiraling Techniques

Spiraling puts an enormous pressure into the origination and
insertion points of the muscles, so strain or tearing is likely. That is unless
you have trained properly and adequately, while under the guidance of a very
experienced instructor. Advanced spiraling material is rarely taught because
too few people have sufficiently developed their bodies with twisting methods
to necessitate the teachings…


Pulsing is a naturally occurring phenomenon replicated time and again throughout the universe as an
essential aspect of every living organism, including human beings. Pulsing
(also known as “opening and closing”) is little more than a synchronised,
alternating rhythm of expanding and condensing energy.

In terms of qigong, tai chi and bagua, the concept of
pulsing is simple: You want your entire body and its energy to pulse as one
coherent whole throughout your form (set, style or palm change). The theory is
relatively easy to understand, but in practice there are many layers to pulsing
that require patience and dedication to achieve. Fundamentally, pulsing can
become a means by which you work through all the body’s primary systems and
subsystems to restore balance and connection in the totality of your being.

If you look at a healthy baby, there are two very obvious
currents that run through its soft, supple and vibrant body: spirals and
pulsations. Spirals can be directed by soft tissue work while pulsations are initially
directed by the opening and closing of the body’s joints and cavities.

However, it does not stop there. Eventually, you can pulse
everything in your body, including your internal organs, glands, soft tissues
and subtle energy anatomy.

Pulsing to Contact Your Chi

The joints are typically the easiest place to start for most
students since it only entails one focal point—trying to increase and decrease
the space between the bones in an alternating rhythm.

At this level, a tangible sense of the pulse in the joints
has many generalised health benefits, including:

  • Releases the nerves.
  • Fosters a sense of relaxation by expelling surface-level and deeply bound tension.
  • Stretches open the ligaments and thereby engages synovial fluid (lubricating fluid
    between the joints).
  • Becomes a means by which you can contact the energy gates at the centre of the
    joints that govern your physical body.
  • Serves as a gateway for initiating the pulse with your mind’s intent and taking
    the pulse yet deeper into your body.

As with all neigong, initially you seek to manipulate the
physical body and with regular, dedicated practice, you can eventually gain
access to the energy that powers it.

Pulsing is a highly effective, intermediate neigong
technique for going through the physical body to contact your energy via your
fluids. Activation of the fluids is the critical link that helps you make the
jump to accessing and directing your chi in your qigong, tai chi or bagua

In the Water method practices we teach, the process of “ice
to water, water to gas” is a means for dissolving blocked energy. However, ice to
water, water to gas can also serve as a metaphor to access ever-more subtle
layers of your being from:

  • Solid—your physical bones and flesh; to
  • Liquid—bodily fluids (which in the case of pulsing the joints, would be synovial fluid);
  • Gas—whereby you gain access to the chi that powers you as a living organism.

How to Learn to Pulse (Open-Close)

There is really only one way to learn how to pulse: Have a
well-trained practitioner put their hands on your body and manipulate it to
create a pulse at such a gross level that you can easily recognise it. Then,
over time, you seek to replicate that experience in your own body. You could do
all sorts of mental gymnastics and visualising, but it will get you no closer
to actualising the pulse than thinking about food can provide nourishment and
feed your hunger.

Over the last 16 years, I’ve taught the subject of pulsing
and, often times, find that even students who have some knowledge and
experience with the pulse are stumped for words when I activate a gentle yet clear
pulse throughout their body (or in some localised region). The reason is that
any mental construct or anything you could imagine at all is no substitute for the
real experience. As with all chi practices, pulsing techniques are done at a
subtle level.

However, once you have the experience, you can tangibly tune
into and feel the body’s natural openings and closings, and amplify them
yourself. With diligent practice and live training, almost anyone has the
ability to gain some faculty in pulsing.

Pulsing the Joints: The Middle Ground

In the beginning, pulsing the joints is usually easiest in
the wrists, hands and fingers. Developing your capacity to pulse these joints,
and teaching your students to do the same, provides a contact point from which to
grow your understanding and skill level.

Next, progress to the ankles, feet, elbows, knees,
shoulders, hips, and eventually all the joints of the body, including: the
pelvis, ribcage, spine and plates of the skull. At this level, practitioners
can get the entire skeleton to pulse, which creates a fantastic synergy that is
quite impossible to perceive or imagine without direct experience.

Whether only opening and closing the joints in the limbs
(arms and legs) or the entire skeletal frame, you want to bring the pulse up to
its maximum operating range, balance the system and then work on deepening it.

Increasing range of motion in the joints releases tension in
the ligaments and begins the process of activating the synovial fluid. With
practice, this is the layer at which a very springy, spongy body can be
created—one that can more easily absorb and withstand shock.

Pulsing for Beginners: Circling Hands Qigong

Once the pulse is open and clear, the next step is to
balance it throughout the physical body. This is normally done through Circling
Hands, an easy, repetitive motion that allows the mind to focus on content
rather than the form.

Through practice of Circling Hands, the process is simple:
compare the pulse in the joint on the left side to the corresponding joint on
the right side of your body, and make them equal. This is done by reducing the
joint with the larger range to that of the joint with the smaller range (i.e., adhering
to the 70% rule and not overstraining the weakest link).

Go through all pairs, e.g. hands, feet, elbows and knees.
Next, compare each pair to all other pairs, e.g. hands to feet, elbows to
knees, shoulders to hips, and equalise any imbalances.

By reducing your range of motion to the joint with the
smaller range, you can:

  • Dramatically soften the pulse;
  • Release the nervous system;
  • Deepen the pulse in the joints;
  • Link the pulsing of the joints into one unified lattice, thereby amplifying the
    positive effects of the pulse.

Once the outer frame is activated as one whole, balanced and
integrated, you are on the road to creating a real synergy throughout your
entire system. At the level of pulsing the joints, the results can be quite
profound, but from the perspective of neigong your vehicle is only in first

Pulsing is an evolving technique that morphs and changes in
application as your body and the ability to directly influence your energy develop.
The more dramatic, broad-ranging and long-lasting results reveal themselves
after the tuning in period, when you can go deeper than only pulsing the joints
and gain some faculty in opening and closing your body’s cavities.

Pulsing the Cavities: The Game Changer

If your approach is methodical and you take the time
necessary to achieve a well-balanced pulse in all your body’s joints, you will
naturally begin to activate the cavities. This is where the game shifts.

From the perspective of pulsing, the skeletal frame is
considered the shell or container. If you want to go internal, however, you
must penetrate the shell. That is you must go deeper inside your body to activate
and engage the cavities to powerfully increase circulation of fluids and chi
throughout the body.

Most of the cavities are located in the torso, which govern
and feed the joints. A cavity is basically made up of soft tissue that is engorged
with interstitial fluid. There are no bones in a cavity (unlike a joint), so
the pulse can go spherical rather than only linear (as is the case with a

In addition to the cavities that are deep within the torso,
there are also cavities at the roots of each limb: the armpits for the arms,
the kwa for the legs and the throat notch for the neck and head.

Activating the Spherical Pulse

So here we have two interesting coincidences:

  • The cavities, being made of only flesh and fluid, act like a strong pump that drives
    interstitial fluid around the body. As the largest reservoir of fluid in
    the body, interstitial fluid not only lubricates all the soft tissues, but
    also facilitates the transfer of all nutrient and waste byproducts between
    the blood and cells.
  • Since there is a major cavity at the root of each limb, when activated it both
    circulates interstitial fluid and chi down the limb and back, as well as
    supercharges the pulse in the joints of that limb.

So the cavities pulse, boosting circulation of bodily fluids
and chi, and thereby further engage the joints—kicking the pulse up a gear. The
quality of motion in the body takes on a life of its own, creating an
incredibly relaxed, deep and viscous alternating rhythm. At this level of the
game, your body begins to mimic the action of a jelly fish or a squid, a
spherical pulsing, boneless motion that has no obvious beginning or end. With
this, you have an internal practice.

Incorporating Introductory Neigong Techniques
into Your Practice & Your Teaching

For serious internal arts students, the depth and complexity
of the neigong system is precisely what attracts them to and fascinates them
about our system. Each of the 16 neigong represents cosmic potential for
developing the body, mind and chi—all capable of producing seemingly mysterious
and enigmatic results.

However wacky and incomprehensible some of this material can
seem to the casual observer, the neigong system is firmly rooted in concrete,
tangible and progressive training techniques that start with developing the
physical body. This is what makes the Water method and the Energy Arts System
truly extraordinary and safe!

For example, you can bring the wow-factor to your class just
by choosing a student and pulsing their wrist for a few minutes while talking
theory. Within a few moments, that student (like many before) will likely be
visibly less tense with a softer, more relaxed facial expression. How better to
make the point: You feel better and it’s good for you?!

Even introductory neigong are not learned from a casual
understanding though. You must be dedicated, persistent and patient.  Over the years, I’ve also found that most
students hyper focus on forms and are generally not clear about the best
strategies for building their foundation in neigong.

The distinct layers that come into play when working your
way through the foundational neigong are so important because you could be
downgrading potential power-generating and health benefits that could be yours
for the same practice time. The ideal learning progression and the benefits
associated with each layer will not only save you loads of training hours, but
more importantly, allow you access to your core energy—where the releasing and
letting go can lead to amazing transformations in body, mind and chi.

Keep your practice alive and well, and
it’ll do the same for you…and hopefully your students!

Paul Cavel began training the Energy Arts System in 1987, after suffering
serious injury from a motorcycle accident. After more than two decades of
training, he has not only healed his injuries, but teaches as one of only 12
senior instructors in his teacher’s system. Since 1995, Paul has taught
seminars and retreats, and offered personal training to help people achieve
their personal goals. Paul offers an integrated health, fitness and
stress-management solution to give your body all the exercise it needs while releasing
blockages in your mind-body-chi that hold you back from realising your true
human potential. Read more articles like this one at

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